THE PURPOSE OF THIS BLOG

For several years, I served as the song leader in my church. During that time, it was my responsibility to select the music and lead the congregation in the singing every week.

I took that responsibility seriously. The hymns and songs that I selected had to be doctrinally sound, and appropriate for worship with a God-centered worldview. Within those parameters, I tried to select music that would reinforce and support the text and the subject of my pastor’s messages.

Some of us have been singing the hymns for years; the words roll off our lips but the messages often don't engage our minds or penetrate our hearts. With the apostle Paul, I want the congregation to "sing with understanding."

So it has been my practice to select one hymn each week, research it, and then highlight it with a short introductory commentary so that the congregation will be more informed regarding the origin, the author's testimony, or the doctrinal significance of the hymns we sing.

It is my intention here, with this blog, to archive these hymn commentaries for my reference and to make them freely available to other church song leaders. For ease of reference, all the hymn commentaries in this blog will be titled IN ALL CAPITAL LETTERS. Other posts (which will be music ministry related opinion pieces) will be printed in lower case letters.

I know that some of these commentaries contain traces of my unique style, but please feel free to adapt them and use the content any way you can for the edification of your congregation and to the glory of God.

All I ask is that you leave a little comment should you find something helpful.

Ralph M. Petersen

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Sunday, September 2, 2018

****THE OLD RUGGED CROSS

Al Smith was often called “Mr. Singspiration” and the “Dean of Gospel Music.” He was a composer, Gospel soloist, song leader, lecturer, and an authority on church music, recording artist, and music publisher.

One night, in the 1940s, He was singing at the Mel Trotter Mission in Grand Rapids. At the close of the evening meeting, he wandered over to Walgreen's drugstore to get a sandwich.  As he was placing his order, an old man with long snow-white hair and thick glasses approached him and asked, "Are you, Al Smith?"

When Al replied, that he was, the old man introduced himself; "I'm George Bennard."

Al Smith had often hoped to someday meet the writer of the hymn, THE OLD RUGGED CROSS, and now, here he was at the food counter in a Walgreen’s drug store.  And, had this encounter never happened, we would not know this story about how George Bennard came to write the hymn. 

Dr. Bennard was an ordained minister in the Methodist Episcopal Church and he was active in the Salvation Army.

As they chatted, George told Al Smith that John 3:16 had always been a favorite verse of his.  The phrase, “He Gave His only begotten Son,” conveyed a sense of great sacrifice. The more he quoted it, the more meaningful it became and always, there was with it a vision of a cross--not a beautiful gold-colored one, but a rough and rugged one--a crude Roman instrument of death- a cross of shame stained with the blood of God's only begotten Son.  And George understood that his Savior's blood was shed for him.

One day as he was imagining that scene, he began to compose the song.  The complete melody came in a matter of minutes, but he stalled on the lyrics; all he could get was, `I'll cherish the Old Rugged Cross.'"  So, he set it aside unfinished.

Sometime later, when he accepted a call to speak at some evangelistic meetings in New York, he felt led to emphasize the theme of the cross.   

At each service, many were coming to Christ, trusting in His finished work at Calvary. More and more the Lord began to reveal to him, the true meaning of His love at Calvary. The meetings so overwhelmed him with the importance of the cross that when he returned to Michigan, he sat down at his desk and immediately began to write the stanzas of the song without hesitation.

When he had finished, he took up his guitar, called to his wife, and sang the completed song to her.  She was thrilled!

Then he sent the manuscript to Charles Gabriel and asked him to harmonize it so that he could have it published.  When Mr. Gabriel returned the finished manuscript, he enclosed a note saying, “You will hear from this song.  When I played and sang it for some friends they said, `God has given you a song that will never die; it has moved our hearts as no other song ever has.'”

With that note, George was humbled as he felt that he could take no credit for writing the song; he was merely an instrument that God used for His glory."

At the end of their visit, that night, at Walgreen’s, the 75-year-old Dr. George Bennard excused himself saying, "I must get back to Albion tonight, for it isn't good for a young fellow like me to be out too late after dark.”




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