THE PURPOSE OF THIS BLOG

For several years, I served as the song leader in my church. During that time, it was my responsibility to select the music and lead the congregation in the singing every week.

I took that responsibility seriously. The hymns and songs that I selected had to be doctrinally sound, and appropriate for worship with a God-centered worldview. Within those parameters, I tried to select music that would reinforce and support the text and the subject of my pastor’s messages.

Some of us have been singing the hymns for years; the words roll off our lips but the messages often don't engage our minds or penetrate our hearts. With the apostle Paul, I want the congregation to "sing with understanding."

So it has been my practice to select one hymn each week, research it, and then highlight it with a short introductory commentary so that the congregation will be more informed regarding the origin, the author's testimony, or the doctrinal significance of the hymns we sing.

It is my intention here, with this blog, to archive these hymn commentaries for my reference and to make them freely available to other church song leaders. For ease of reference, all the hymn commentaries in this blog will be titled IN ALL CAPITAL LETTERS. Other posts (which will be music ministry related opinion pieces) will be printed in lower case letters.

I know that some of these commentaries contain traces of my unique style, but please feel free to adapt them and use the content any way you can for the edification of your congregation and to the glory of God.

All I ask is that you leave a little comment should you find something helpful.

Ralph M. Petersen

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Sunday, November 26, 2017

****FOR THE BEAUTY OF THE EARTH

I read, this week, that The Church of Sweden has urged its clergy to use more gender-neutral language when referring to God and to avoid referring to the deity as “Lord” or “he.”

The move is one of many made by the national Evangelical Lutheran Church, which is in the process of updating a 31-year-old handbook, which will outline how services should be conducted in terms of language, and that will include necessary revisions to the hymns they sing.

It is not unusual that many of our older hymns have gone through some revisions.  Sometimes those changes have been improvements but there are some that were made for the wrong reasons.

In 1864, Folliot Pierpoint published an eight-stanza poem, “The Sacrifice of Praise.”  It was originally meant to be used as a communion hymn.

In the original refrain, “Christ, our God, to Thee we raise, This, our sacrifice of praise,” reflected the author’s intent for a communion hymn.  But it was changed to “Lord of all, to Thee we raise This our hymn of grateful praise.”

As it turns out, that was a good change, but it was forced by political correctness.  There were heresies then, like now, that denied the deity of Christ and there were spineless publishers who were uncomfortable with the way the text equated Christ with God.
 
Pierpoint stood firm in his defense of the original text.  He argued that there had been a long tradition of Christians singing hymns to Christ as God; and, besides, the Fifth Ecumenical Council (553), referencing 1 Cor. 2:8, affirmed that our Lord Jesus Christ, who was crucified in the flesh, is true God, and the “Lord of glory”.

Nevertheless, the hymn was changed and, I think, for the better.  Two stanzas, that weren’t very good, have been omitted and two have been combined. 

So, now, FOR THE BEAUTY OF THE EARTH, is a five-stanza hymn with a new refrain.  And the focus of the original hymn has been broadened from a communion hymn to a song of praise and thanksgiving to the “Lord of all.”

The progression in the imagery of this hymn makes it a good teaching aid for children.  The thanksgiving starts with the natural creation; the world around us and then progresses to thanks for human relationships, then the Church, and finally, to the incarnation; the Gift of God’s own Son in human flesh.



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