****WE PRAISE THEE, O GOD, OUR REDEEMER

  

WE PRAISE THEE, O GOD, OUR REDEEMER, was written by Julia Cory. Her father was a Sunday school superintendent who encouraged her, while she was still young, to write hymns. 

One day the music director, at her church, asked her to compose some new lyrics to be sung to the tune of the popular Thanksgiving hymn, "We Gather Together." 

About two weeks later, Julia had produced this new hymn.

In the new testament, the apostle Paul instructed the churches to speak to themselves with psalms, hymns, and spiritual songs. 

Paul’s instructions are beneficial to most Christians because there is so much doctrine that is learned and retained in the songs we sing.

But, on the other hand, Psalm 30:4 commands us, "Sing to the Lord, you saints of His; praise His holy Name." 

We have many songs that remind us or encourage us to praise our God, but we often forget that He also wants us to sing praises directly to Him. This hymn is one of a few that does exactly that.

This simple hymn identifies eight activities that God desires from His people: 

• Our praises
• Our thanksgiving
• Our tributes 
• Our submission 
• Our love 
• Our worship 
• Our unity with other believers 
• And Our singing 

The hymn also identifies eight activities, of our God, that are worthy of our praises:

• He is our Redeemer 
• He is our Creator 
• He is the God of our fathers 
• He is our Guide 
• He is our Deliverer 
• He is our Defender 
• He is our Lord 
• And He is ever-present with us 

The third stanza concludes with a direct proclamation of praise; “To Thee, our great Redeemer, forever be praise."

Julia’s hymn was first used in her church’s Thanksgiving Day service just a few weeks after she wrote it. One month later, her father wanted to use it for a Christmas service at their church, so he asked her to add a stanza about the incarnation.

The new (fourth) stanza, which alludes to the message of John 3:16, is a song of thanksgiving to God for sending His Son to die for the salvation of those whom He loved.

The Christmas stanza says:

Thy love Thou didst show us, 

Thine only Son sending,

Who came as a babe and whose bed was a stall,

His blest life He gave us 

And then died to save us;

We praise Thee, O Lord, for Thy gift to us all.

****THE SOLID ROCK (2)revised

On Christ, The Solid Rock I Stand

Martin Luther was only 13 years old when he enrolled at the University of Erfurt to study law. He earned a baccalaureate and a master’s degree in the shortest amount of time allowed by university statutes. And he was so skilled at public debates that he earned the nickname, “The Philosopher.”

It was All Saints’ Eve in 1517 when he publicly objected to the church’s practice of selling indulgences. Those were documents whereby parishioners could have their sins forgiven. As Tetzel once preached, "Once the coin into the coffer clings, a soul from purgatory heavenward springs!"

Martin Luther was rude, crass, and obnoxious. And the older he became, the more cantankerous he was. He mocked the popes and other theological enemies with cutting sarcasm and vulgar language.  Nevertheless, he was God’s chosen man for the times, and he was on a mission to declare that SALVATION IS BY FAITH ALONE IN CHRIST ALONE.

Luther objected to so many of the church’s practices that he called for public debates to challenge the authority of the church and expose its blasphemous and heretical paganism.

At one debate, he declared that "a simple layman armed with the Scriptures was superior to both popes and councils without them.”

When the church leaders threatened to excommunicate him, he replied with his three most important treatises which are like these three Distinctives held by Baptists today:

In the first, he called for church reform, arguing that all Christians were priests.

The second treatise called for the reduction of the church’s seven sacraments to just two ordinances: baptism and the Lord's Supper.                                                             

In the third, he declared that Christians are free from the bondage of church laws, but instead, they were bound in love to their neighbors.

In the 1953 movie, MARTIN LUTHER, is a scene where his opposing superior asked, “If we removed all these ‘rituals and relics’ as you say, with what would you suggest we replace them?”

Luther’s answer was powerful and unapologetic; he simply shouted, “CHRIST!”

In 1521, the Holy Roman Emperor summoned Luther to an assembly at Worms, Germany. Luther believed he was going to another debate, but it was a trial demanding him to recant his 95 theses.

He replied, "Unless I can be instructed and convinced with evidence from the Holy Scriptures, I cannot and will not recant.” Then he added, "Here I stand. I can do no other.  God help me!  Amen.”

When the Roman church convicted him of heresy, Luther fled and hid for nearly a year. Yet he maintained his defiant determination to STAND FIRM with God’s Word against a corrupt religious system for the rest of his life.

I don’t know if Edward Mote was inspired by Martin Luther, but in his hymn, THE SOLID ROCK, are some similar declarations of truth that remind us that we too, must stand firm on Christ alone. “My hope is built on nothing less than Jesus’ blood and righteousness; I dare not trust the sweetest frame but wholly lean on Jesus’ Name. On Christ, the solid Rock I stand, all other ground is sinking sand.”

N

****IMMORTAL, INVISIBLE GOD ONLY WISE (2)

"The aim and final reason for all (our) music should be nothing else but the glory of God and the refreshment of the spirit."  Johann Sebastian Bach 

One of the functional responsibilities of pastoral leadership is to guard the doctrinal purity and the truth of the Word of God whether spoken, written, or sung, in corporate worship.

Psalm 66: 1-4 says, "Make a joyful shout to God, all the earth!  Sing out the honor of His Name; Make His praise glorious. 

Say to God, '"How awesome are Your works!  Through the greatness of Your power, Your enemies shall submit themselves to You.  All the earth shall worship You and sing praises to Your Name." 

Unlike many other praise and worship songs, IMMORTAL, INVISIBLE is a classic example of a true, God-centered praise hymn. It was written by Walter Smith who, in the late 1800s, pastored the Free Church of Scotland for forty-four years.

His original hymn had five stanzas but, in most hymnbooks, the last two have been carefully combined and what we have today, is an amazing hymn of reverential praise to the greatness of our God. In four short stanzas, He is praised for at least 23 of His character traits.

Immortal, invisible, God only wise,
In light, inaccessible hid from our eyes,
Most blessed, most glorious, the Ancient of Days,
Almighty, victorious, Thy great name we praise.

Unresting, unhasting, and silent as light,
Nor wanting, nor wasting, Thou rulest in might;
Thy justice like mountains high soaring above
Thy clouds which are fountains of goodness and love.

To all life Thou givest, to both great and small;
In all life Thou livest, the true life of all;
We blossom and flourish as leaves on the tree,
And wither and perish, but naught changeth Thee.

Great Father of Glory, pure Father of Light
Thine angels adore Thee, all veiling their sight;
All laud we would render, O help us to see:
’Tis only the splendor of light hideth Thee.

The hymn’s opening line is a paraphrase of 1Tim. 1:17, "Now to the King eternal, immortal, invisible, to God who alone is wise, be honor and glory forever and ever.  Amen." 

****CALVARY COVERS IT ALL

   

From his early childhood, Walter MacDonald was a naturally talented dancer. Eddie Cantor, the famous actor, singer, and dancer, once said that Walter had the fastest feet in the world.  

In the early 1900s, Walter was discovered by the renowned dancer, John McCurchy, who nicknamed him “Happy Mac” because he had happy feet.  

But Happy Mac wasn’t really very happy. He was addicted to alcohol and was in bondage to his sinful lifestyle.

One night in the early 1930s, he found his way into a revival meeting at the Pacific Garden Mission in Chicago where he heard the gospel of Jesus Christ for the first time. He was fascinated by the message so he returned every night for several consecutive meetings.

Pretty soon, some of the workers became aware of his continuing presence. The directors of the mission, then, were Walter Taylor and his wife, Ethel. They were affectionately known as Pa and Ma Taylor. Ethel was the pianist at the revival meetings and, from the bench, she began to take notice of this strange guy named Mac. Every evening, when she saw him, she prayed that the Lord would help them reach Mac with the message of the gospel and that he might be saved.

 

Finally, one evening Walter MacDonald approached them for their counsel. Ma Taylor listened quietly as he struggled to confess his miserable past life. Then, in his own words, Mac cried out to God, “You don’t understand, You don’t know how bad I am, Lord.  Really, I’m the worst man in the world. You can’t save me; I’m too bad.”

When Ma Taylor heard his prayer, she recalled a message she had heard a few weeks before. An evangelist who had been a rebellious sinner in his youth and felt he was unworthy of God’s love, had come to understand that Jesus Christ, by his death, paid the penalty for all his sin. In his testimony, he said, “Calvary covers all of it.” Ethel Taylor explained the meaning of those words to Walter MacDonald that night.

Walter asked her to tell him the story again. As she spoke, suddenly the light of the gospel penetrated Walter's heart and he exclaimed. “Oh! Mrs. Taylor, I’m so glad you told me that.  It’s true; Calvary does cover it all!  My whole past of sin and shame.”

Walter MacDonald trusted the Savior that night in 1934 and he lived to become an outstanding servant of Christ.

That single event in Walter's life inspired the hymn.  A few days later, as she was remembering Mac’s conversion, Ethel Taylor went into the mission chapel, sat down at the piano, and composed the words and music for this gospel song; CALVARY COVERS IT ALL.